Showing posts with label Bridal. Show all posts
Showing posts with label Bridal. Show all posts

Tuesday, 28 January 2014

Gilded Mirrors and Stuffed Moose: Chanticleer Brides 25th Anniversary Collection

Yesterday I did something terrifying and wonderful for my career - putting yourself 'out there' is such a scary buzz, but I sometimes can't resist aiming high and trying for big things. I really hope it works out and I hear back soon!! In the afternoon I was drawn in silver, and today I'm cultivating patience (kinda).

And the day after I got back from Australia, at the beginning of December, I modelled for Chanticleer Brides latest (25th anniversary) wedding dress collection. The theme was 20s/Downton Abbey, and we shot at the incredibly eccentric location that is Maunsel House, in Somerset. Taxidermy everywhere, enormous paintings, huge windows, copper baths. Not sure it's quite to my personal taste for a house to actually live in (well, I definitely wouldn't say no to the bath, or the incredible four poster bed in the king's suite), but it's definitely 'fabulous, darling'. ;-)

Having modelled a previous collection (the 'Back to Nature' outdoors shoot a couple of years ago), I knew what to expect; intricate, exquisite hand-made detailing by the designer, Tracey, and a range of cuts for different personalities of brides. Having been down under, the dresses weren't made to fit me (as they obviously would be for a bride; Tracey would normally do about 3 fittings before a wedding day), but they looked good anyway; the team are a talented bunch!

All images by the lovely Chris Hanley, who gamely took up the challenge of photographing 18 dresses, cramming tripods into the most unlikely dark corners (all without knocking over the the suits of armour) and succeeding despite there being absolutely no clear spaces in the entire house! Clutter ruled. :-)

Make up was by Ashleigh Gregory, and the hair styling was done by Dean Brindley.

Behind the scenes video here: https://www.youtube.com/watch?v=DYYhTwCZHXI :-)

I was bright and ready to go very early in the morning (oh how I wish that early-morning-riser self had lasted into the winter; I seem now to have morphed into a night owl!!!), but the jet lag seriously started kicking in at around 4pm, which was the middle of the night for me. I was pretty exhausted by the end, but I'm so glad to have been asked to model for Tracey again. It was so much fun! Anyone in any danger of getting married any time soon should definitely check out the website and go and visit the shop in Cheltenham: www.chanticleerbrides.co.uk






















Monday, 18 February 2013

House of Flying Daggers


Hello from Belgium! I've just completed my final shoot and am relaxing now here in Brussels. Below are two quick behind-the-scenes shots taken on my phone from a shoot with the lovely Johan Verlust and the excellent make up artist and hair stylist Fraukje Van de Wiele.I'm looking forward to seeing the proper images from this shoot (this was just one set we did, but I rather liked it!). :-)



Highlights in this rather multi-lingual country have so far included free plates of radishes, free limoncello and ouzo(??) (I didn't have the heart to tell the enthusiastic waiter I don't drink, so I drank), a successful foray into the world of the waffle (I quite liked it!), restaurants that claim they have 'no legumes' after I settle in and  order the one vegetarian thing on the menu, pasta legumes... Seriously? The entire restaurant has no vegetables? Slightly worrying. (I left, obviously, and stumbled instead into an AMAZING restaurant that made me very happy (goats cheese served on a bed of apple, scattered with honey, strawberries, raisins and walnuts), so if that's not evidence for the 'it's meant to happen' brigade, then I can't possibly think what is.)

I have also done some non-foody things here in Belgium, I promise - e.g. I spent a lovely, lazy afternoon dawdling around art galleries - including Magritte's crazy surrealism - (this was my first trip to Belgium, so I left myself a little bit of free time), and topped up my postcard collection by a humble 47. Yep, I don't buy shoes (though I am hoping to stumble across a new pair of trainers soon, as my super dooper spin spot dance ones make me just a tad too spinny during planking, etc., and really shouldn't be worn when driving), I buy art postcards! Seriously, though, it really excites me. I'm going to create my third new massive board of them for my room. I even had a practise run on my brand new hostel-friend's bed, when I got back. (I'm too cool.) I'll probably blog a picture of the results, along with my previously made board, in case anyone else shares my joy of 'I get a print of this amazing amazing amazing painting for 1 euro'. And the Grand Place is beautiful, and somehow reminds me of the incredibly brilliant main square in Mexico City. (Though maybe that's just because that's the last 'main square' I saw. I don't know.) I also went to Bruges yesterday with a lovely American girl I met, and we had fun jumping around in front of the windmills on the outskirts of the old town. I think I'm going to have to do a bit of research to find out if the vial of blood we saw really is likely to have belonged to Jesus or not; if so, that's really quite amazing.

Anyway, I get to wander around Brussels a bit more tomorrow before getting on the eurostar, partly on the search for some statues of some kids (and a dog) pissing, or something. I've been promised an equal mix of delight and anti-climax. Haha. On my next trip (I might possibly come back sometime in the summer), I'm going to also look around Ghent and Antwerp, I think, as I've heard that Ghent in particular is a great place to visit.

And now, I'm blogging some images I've been excited to see and show you! There's something a bit 'House of Flying Daggers' about these images, I think (despite that beautiful film being set in China, not Japan). I was asked to model for a photographer on behalf of his friend who is submitting a design project on Japanese modes of dress set in a western context. This kimono was the one actually worn by Ally on her wedding day; so it was such an honour to wear it! It was so beautiful - and very heavy! - and I learnt that, while the western fashion is generally to show off a woman's waist, the opposite is true in Japan, or at least in this context; my waist was padded to be in line with my hips!! For what I'm used to, that's not the most flattering stylistic decision, but it's interesting, isn't it? Different aesthetics for different cultures... It was such a fun shoot, and I think the photographer, London-based Will White, made them so stunning! The make up was by Ema Doherty. We got quite excited about all the jumping around... and as soon as Will handed me the parasol, we both immediately knew without speaking that I had to do a 'caught in the wind' jump. I'm looking forward to a second shoot sometime soon. And I CANNOT WAIT to go to Japan later this year; I just find the culture so fascinating and beautiful, and there are so many different contrasts and aspects to it. I've been wanting to go there for so long!

Which are your favourites?








...And if anyone cares to educate me about some beautiful Japanese films I should watch, please do!


Monday, 24 December 2012

Guide us to Thy Perfect Light

Evening! I'm bringing you a special Christmas Edition of blogginess today, courtesy of photographer Karen Jones who booked me recently at Eye For An Image Studio in Banbury, Oxfordshire, and subsequently got an image accepted onto the excellent 1x.com photography site. With no cheesy Santa outfits in sight, here are some of the shots from our festive 2-hour session:

'Ice Prom Princess'; with my bridal net underskirt and Karen's beautiful crown tiara.

'Merry Christmas'; with Karen's stunning berry extravaganza:

'Laced Light'; My vintage Victorian-style wedding dress, plus some lights weaved into my hair!

'Self Doubt'; All done with one exposure:


'The Powder Room'; Karen wanted to do something a bit 'different', so I made asked her to bring some flour so we could make a mess. In the end we used talcum powder, and I smelled utterly amazing afterwards! I love how well the fine powder shows against the black; it looks a bit like smoke, floating in wisps around me!




(I liked then in colour too! Or are they best in monochrome? Hhmm.)

Thank you so much Karen for always being such fun to work with and up for trying new ideas. We did so much! Just shows what can happen in two hours, with a bit of creativity, forethought and fun effects/props! 

I'm really hoping more photographers will want to try 'different' things with me where they can, whether that involves stylists for distinctive themes and strong 'character' work, make up artists for close up beauty portraits, fun ideas for textures or effects, interesting locations, crazy hair dos... whatever. Why not make 2013 the year you vow to do something a little unusual...? It doesn't have to be expensive (and the model often has contacts who are willing to collaborate!), but starting with a theme and asking a model what they might already have and can contribute can work wonders!

On that note, I hope all your Christmasses are filled with joy, love and wonder. I'm back from a carol service (Christmas isn't Christmas without one; 'We Three Kings' being a firm favourite), after having decorating the Christmas cake (my traditional contribution; involving some worse-for-wear plastic festive characters, reindeer and edible golden balls!), and then we all decorated the tree together with German wooden decorations, baubles, bells, bows, candles, etc. etc. I absolutely love this tradition of waiting until Christmas Eve to do it; until now the tree has been simply festively green. We have two new cats this year, fresh from a rescue centre, and one of them would win awards for her potent blend of fearlessness and clumsiness. All eyes on the (quite controversial in this house; is it disgustingly tacky? Or does it pick up the candle-light beautifully?) silver lametta.

Merry Christmas everyone! X

Tuesday, 13 March 2012

Costume changes!

I love these shots by Mike Croshaw, taken recently at a studio day (its first!) at Cheltenham FilmPhoto Studios. Considering we only had a two hour slot together, and quite a bit of the beginning was taken up with me having to be laced into my wedding dress (I doubt any bride ever had to dress herself...), I think it's impressive how much we got done. Here are a few from our session together. Very much looking forward to working with Mike again sometime. And for anyone interested in trying out the studio, I'd recommend it and can get you a good deal!

I've not really done 'pin-up' before, but Mike wanted to give the theme a try with me and I really enjoyed playing the part of a 50s cheeky-grinned starlet. I'd love to give pin up a real go, actually - I think it could possibly suit me quite well. Thanks Mike for choosing something fun and new to shoot with me!

This next shot has featured here before, but in the interests of comprehensiveness (of themes covered)... Gorgeous lighting and soft pastel hues:

I happened to have brought my brand new Asian bridal saree along with me to the shoot, in hopes of shoe-horning it into a session... I think it's so stunning - I really really love 'World' costumery and I love India in particular so much. I spent some time there a few years ago (mainly in the north) and have been aching to go back ever since. Every year I tell myself it will be THIS year. I think it's such a beautiful country, and I love how brightly coloured the women's clothing is, as well; fanciful decoration and ornate, intricate beading is everywhere, and there is no such thing as too much adornment. It's impossible to take a bad street shot there! Mike and I think a plainer background would probably have worked better for this shot (or I would love to shoot with it in a grand house, with the full works!), but for the garment's first airing I do love this.

Below is a composite image in a classical 'Old Masters' style, which is a theme more traditionally suited to my strengths...


And finally we spent some time doing some movement and 'swirly' images. I love the golden curves of the fabric here, and its flaring wisp to my left in the composition (camera right?).
...Let me know which you like! :-)

Thursday, 8 March 2012

A celebration, some wedding princessing and some Lions (and a monkey)

Hello!

Thank you all so much (those of you who have commented on my facebook wall and sent me messages; you know who you are!) for my birthday wishes for yesterday! I had such a nice day and it very surreal racking up so many good wishes on my facebook notifications - I felt very popular, haha! Seriously though, it's so appreciated and really reminds me how nice it is to hear a 'happy birthday' from people even when you haven't heard from them in a while and that I must always remember people's birthdays myself!

Today's post is going to involve a series of tenuous links.

First, I will tell you about what I did yesterday... I went to visit the Wildlife Photographer of the Year exhibition at the Science Museum in Oxford in the morning. Some really impressive shots and the staff member on the desk was so chatty, telling us all about the various controversies, and the artists who'd visited and what they'd said about other photographers' work... I really loved one shot of a white bird lifting out of the water, with it's emerging wings spread in blurry motion. It looked so ethereal and beautiful! LOVED the polar bear too, plus lots more. Had a delicious light lunch at a lebanese restaurant afterwards avec some borrowed (must order it myself next time..) sugary mint tea.

After that I had my traditional family tea and cake ceremony in the afternoon - fodant fancies featured heavily, as always.

Then at 4pm I was taken to London and got there for an early dinner (really tasty veggie burger of portobello mushroom, baby spinach and goat's cheese) and courgette fries at Byron Burgers in Covent Garden, before (feeling we might explode) going to watch THE LION KING at the Lyceum Theatre!!!! I had been wanting to go and see this for years and years, and occasionally, when I remembered the lack of it in my life, had a little moan... so it was a masssive treat and something I'd really really built up in my mind, so much so that afterwards I announced 'It's amazing that it didn't disappoint me at all', which my friend said was hilarious and should probably go on their poster... Haha (oops). Seriously though, the moment I left the theatre I wanted to just go back and watch it all again!! From the first second of the show, with the characters hurtling down the aisles to the stage while the most incredible powerful music seared into my ears, I was spellbound and genuinely a little bit teary. And then the creativity and ingenuity of the set designs, the use of space and the way they showed the passage of time, the sunsets and silhouettes, balletic gazelles, giraffe men on stilts, the elephant, costumes and colour, were all so utterly jaw-droppingly mesmerising. My favourite aspect of it by far, though, was definitely the call and response singing. After I come back in my next life as a Lebanese/bellydancer/Columbian/Shakira hybrid, I think I'll come back as a big African mama, singing magical heart-stopping soulful Savannah tunes*. Ha. Rafiki, basically; the crazy wise lady with the staff, who tells Simba to 'look into himself' to find his father, and teases him into going back to reclaim his Lion-y throne and sorting out the hyenas and marching slinkily and powerfully back up Pride Rock. Aaaaah. :-)


* Joke. Pretty sure we only get one chance at things, and sadly, I'm lily white. I did once get cast as a lion though (for hair reasons) in a school performance of Pyramus and Thisbe. My friend played the wall.

Anyway, I will be adding to my 'White' website gallery soon with some gorgeous new wedding images. There is a bit of a medley below!

Shot by Mike Croshaw at the brand new Cheltenham Film Studio. We did so many different styles in two hours (including pin up!) which I will hopefully show soon:


These were taken by Sabel Gonazalez recently around the centre of Oxford. The male model is the lovely and handsome James Pike, hair stylist Nikki Wright and make up artist Laura Pusey.









Finally, to complete the wedding theme bonanza for now, here are some outdoor shots by David Ballard., taken last week:






I'm going this afternoon to my local animal sanctuary in hope of finding a buddy for my little Chi! Can't wait to meet the current members of the centre. I have a feeling I'm going to want to take quite a few home though... In related news, here is a photo of me holding a howler monkey called 'Chiquito', a temporary resident at an animal rescue centre I visited in Puerto Viejo, Costa Rica, in December. The centre was founded by a couple of european vets who met and fell in love during a work placement in Costa Rica. They set up house together and when the locals knew there were animal doctors in the area, any stray/hurt/lost animals were scooped up and delivered to their doorstep until it became necessary to expand and put up purpose-built enclosures for various lost and found animals to recuperate (The place is emphatically not a zoo!) until they are ready to be released back into the wild. I hope I can go back there soon! Chiquito was soooo sweet. We had to hold his tail strongly in case he jumped away (but he didn't; he just wanted to snuggle!).



OK, here's a little hand-licking deer I met there too (a little too tame to be released now, apparently):

Bye for now!