Four photographers attended, one after the other, and I'll post some of my personal favourites from those I've been shown.
Hit this (Satie's Gnossienne 1) for an instant soundtrack as you scroll down; you'll probably recognise it from various films, including the gorgeous Chocolat (which is fitting, as I've just finished my Easter chocolate):
(I've requested a bit of light relief on the side while I finish learning Liebestraum, the ultimate romantic masterpiece, due to my utter inability to sight-read after a ten year gap making it a bit of a sudoku-style brain training practice not to mention the necessitation of finger strength excercises that make my wrists want to die, a bit; it is getting there though and sounding better and better each day, but Satie is always so evocative and beautiful, and pleasingly simple to pick up on the first run-through, thank God. So now I have the ultimate procrastination piece to linger over when my frustration at the same chord appearing twice in the same bar but with every single note accented differently starts to bubble... C FLAT IS NOT A NOTE. NOR IS E SHARP. Let's call it B and F, shall we? AARRRRGGGHHHH. F DOUBLE SHARP, SURELY, IS SIMPLY G. I'd been away from the game so long that these 'amusing', 'helpful' quirks have had to be relearned until they can be calmly ignored/memorised, which brings me to...)
By James ('CalmNudes'):
By Mark Bigelow (who is now doing lighting workshops on his improvisational way of working; it's a lot of fun to prance in his playboxes of shadows!):
By Prashant Meswani:
And by Eddie Ray (including a single exposure during which two become three):