According to legend, the Lady of Shalott was forbidden to look directly at reality or the outside world; instead she was doomed to view the world through a mirror, and weave what she saw into tapestry. Her despair was heightened when she saw loving couples entwined in the far distance, and she spent her days and nights aching for a return to normality. One day the Lady saw Sir Lancelot passing on his way in the reflection of the mirror, and dared to look out at Camelot, bringing about a curse. The lady escaped by boat during an autumn storm, inscribing 'The Lady of Shalott' on the prow. As she sailed towards Camelot and certain death, she sang a lament. Her frozen body was found shortly afterwards by the knights and ladies of Camelot, one of whom is Lancelot, who prayed to God to have mercy on her soul. The tapestry she wove during her imprisonment was found draped over the side of the boat.
Keith was inspired by paintings such as this one by Waterhouse (which happens to be adorning my nearest radiator by way of magnetism), and had wanted to do this shoot with Ivory Flame and I for a long time, so we arranged a date, boat hire and took a row up and down the river here in Oxford. I absolutely love the results. The colours, reflections and fabrics and range of emotions (there was laughter, tenderness, peacefulness and quite a bit of death), came out so well, I think, and I'm really proud of these.
Help me pick a favourite?! (As always, click and scroll through to see larger.)
Holly and I are planning to do our best to visit the current pre-Raphaelite exhibition in London before it finishes this weekend. Who thinks we should turn up to the Tate in our long, white dresses?
We will also be modelling together on Saturday the 9th of February at Eye For An Image Studio in Banbury, Oxfordshire. I think there may be some time available for anyone interested in working with an experienced and creative duo.